It’s been a long time since I posted a Shuffle Lessons. My last SL post came on August 18, 2012 – back when I still wrote in lowercase letters and the Royals hadn’t made the playoffs in my lifetime. A few nights ago I got into a conversation about various artists from my teenage and college years – Green Day, Simple Plan, The Rocket Summer, Linkin Park to name a few – and I got a hankering to do a quick shuffle through my iTunes.
Plus I have a LOT of other writing to get done today, and things like this always provide a nice way to break through the writer’s block and get the blood flowing in the fingers a bit.
A refresher on how this works: I open iTunes, select my “Top 2000 Most Played” playlist, click “shuffle songs” and write a paragraph on the first five songs that come up. It’s very random, but with a few caveats. If another song off the same album comes up, I’m skipping it and going on to the next one. If the song provides nothing substantial out of context, I’m skipping it. Example: the track “The Library (Intro)” opens the new Childish Gambino album – It’s a 5 seconds long snippet of some spinning machinery…I’m not writing a paragraph about that despite it having 11 plays and breaking in near the bottom of my Top 2000 Most Plays playlist.
If you want to listen to the songs, the titles are all linked to each of them.
Okay. That’s all the caveats. I’m giving myself 20 minutes here so lets get started, shall we? Lettuce.
In the wake of his sample heavy and insanely popular third album, Graduation, Kanye’s mom passed away from a botched surgery and his long-time fiancé broke off their engagement. This was around 2008. We all wanted another installment of the academic-themed College Dropout/Late Registration/Graduation albums, but instead we got 808s and Heartbreaks – a stripped down emotional auto-tuned album that was mostly disappointing. I guess I should’ve expected Kanye to trek into new territory after he “graduated” from his first three works, but this was too different and not remotely revolutionary. Although, looking back on this album after Dark Fantasy and Yeezus makes me realize that 808s was simply a stepping stone toward what the sound would eventually become.
“Say You Will” is the opening track to the album. Subtle piano and choir-esque “ahhs” accompanies the “beep…boop” and drum cadence that loops throughout the track. The song is fine – a perfect example of what is to come on the album.
Related: I prefer this Dido/Kanye mashup of the song…
Continuing the “preceding album is one of my all-time favorites but this album was forced in another direction” theme with this one – Back to Black was one of my all-time favorites and a death caused the followup to drastically move in another direction. It was the death of Kanye’s mother that changed his direction, but the death between these albums was Amy’s own. I was on vacation in Europe in the summer of 2009 when I found out Amy Winehouse had died from drug use in Camdentown. I had been in Camdentown just two days earlier exploring the shops and pubs of the London neighborhood. It was shocking and breaks my heart still.
Thus, this track comes on her posthumous work, Lioness: Hidden Treasures. She had been recording and working on another album at the time of her death, but it’s obvious she didn’t have much work done on it because this album feels far from complete. The album is mostly covers and remixes of her old stuff with a couple new tracks. “Will You Still Love Me Tomorrow?” is a cover of a track by the same name by The Shirelles from 1961. Here’s that song…
It’s a good cover – true to the original, so nothing really earth-shatteringly special. But it’s still beautiful. “WYSLMT?” has horns and backup Dreamgirls-esque vocals. I just love Amy’s voice. I can picture her in a smokey lounge sitting on a stool with a spotlight on her while she melts the hearts of everyone present. If only. RIP Amy.
Danger Mouse and Cee-Lo made a wonderful team their three years of making music – way too short. They put out two albums. I love them both.
In the past, I’ve asked myself this question: which Gnarls Barkley album do I like more, St. Elsewhere (2006) or The Odd Couple (2008)? St. Elsewhere has some of my favorite Gnarls tracks – “Crazy” and “Smiley Face” and “Go-Go Gadget Gospel” and “The Last Time” – but The Odd Couple is a better album from start to finish. It lacks the real stinkers that St. Elsewhere has. About 75% of the time I think I like The Odd Couple more. But then “Crazy” comes on and I get thrown back to the summer of 2006 and it’s St. Elsewhere instead.
“Necromancer” is one of those stinkers. Tracks 7-12 make up the desert portion of the album, and it’s track 12. Honestly, the only time I listen to this track is when I fail 6 consecutive times to skip these tracks and go straight to track 13, “Storm Coming.” The song features distorted static vocals with a ominous dark feel to them. There’s no chorus. Just a few verses with synth solos between verses. Danger Mouse really kills it with these solos, but they’re lost between Cee-Lo’s weird verses. Moving on.
“Man, why don’t I listen to more Cake?!” – me, this past Saturday morning when I woke up and listened to two and a half of their albums – Fashion Nugget (which this song comes from), Prolonging the Magic and some Pressure Chief since I didn’t have class.
John McCrae is the vocalist for Cake. I only know his name because Ben Folds announces him following McCrae’s backup vocals on the live album version of “Fred Jones, Part II.” As you probably know, his style is unlike anything else around. Is he singing, or is he just talking? Hard to say, but I really enjoy it.
I always assumed that “Daria” was about the MTV show by the same name – Daria was a spinoff of Beavis and Butthead, which I was never allowed to watch as a kid but nevertheless quoted at the lunch table with the kids who did. But upon further research I discovered that Daria first aired in 1997 and Fashion Nugget came out in 1996. Maybe they were singing about her before she had her own show. The show featured the Cake song a couple times though, so maybe MTV and Cake were in talks about it? I sure don’t know. Anyone out there have the answer to this conundrum?
This isn’t my favorite song on the album, but only because Fashion Nugget is so strong. It’s good fun just like the rest of Cake’s stuff though. Big fan of Cake.
Rounding out this Shuffle Lesson is the ultimate Vacation Track – the strings that open “Pusher Love Girl” and the entire 20/20 Experience immediately transport me to a boat in the middle of the Miami intercostal waterway. I just can’t help it. The memories this song triggers are just way too strong.
Justin is singing about Mary Camden (aka Jessica Biel, his wife) being his drug that takes makes him “so high [he’s] on the ceiling, babe” and “all [he] want[s] is [her].” The strings guide this song along with Justin’s falsetto, backup horns and a snappy cadence that immediately forces a strange and uncontrolled response of weightless arms. It’s light and airy and somehow the arms just start floating away from the sides of my body. Is it a dance? Hard to say. Again, I can’t help it. This song just gets into my bloodstream like Jessica gets into Justin’s.
I will say – this song is three minutes too long. Justin loves his extended tracks these days and this song just goes on and on about being a “junkie” for her love. I can do without part two of this track.
But now I’m turning off this vacation track so I can be productive. This was fun. On to writing some papers and some book.