Most every romantic comedy has this in common: a minute-long segment, deep into the storyline, when everything is falling apart between the protagonist and his/her primary love interest. Both are sad and lonely but don’t if know if that sadness is reciprocated. So they flounder for a bit while they figure out their emotions.
You know the section I’m talking about – the movie cuts back and forth from one side of the broken relationship to another checking in on how each individual’s life is progressing without their other half.
It goes like this: First, she’s reading a book at a coffee shop but can’t concentrate. Cut to him distractedly working in his office glancing periodically out the window at…something. Cut to her walking a dog in the park. Cut to him shooting hoops at the gym. Then cut to her teaching preschoolers or something. Cut to him sitting in his apartment typing her 555 number into his phone, but he can’t bring himself to hit the “Call” button. He’s probably listening to Boyz II Men too. Meanwhile, she’s staring at her old corded phone on her bedside table wondering if it’s going to ring or not. And it doesn’t. Because he won’t call. It hurts too much.
And that is what we have here. That is this Sam Smith album in a nutshell. This album is angsty and melancholy and emotional and whiney…
…and it never resolves anything.
From start to finish of In the Lonely Hour – from “Money on my Mind” to “Lay Me Down” – Smith pours out his soul. It’s vulnerable. It’s gut-wrenching. It takes some serious guts to bare your soul so publicly, and admire Smith’s openness and honesty on this album. Bravo on stepping out with authenticity and boldness. Unfortunately, this album just doesn’t go anywhere. It starts bleak and ends in bleak. It’s flat. One dimensional.
As many of you know, I spend my weekends sitting in seminary classes discussing God, Church, Scripture, etc. I’m currently in a class on Worship – what is it? how do we do and why? – and part of what we have been learning is how a worship gathering is constructed. What is the goal of each element in the order of events and how does it move/lead the worshiper from normal life and into something that transcends the normal? Do the elements of worship – songs, prayers, sacraments, sermons, etc. – take the congregation somewhere religious/spiritual?
I often look for a similar movement in music: does an album move or lead the listener into something that transcends their norm? Do the songs progress and take the listener on a journey somewhere?
Good albums do this well. Past “Album of the Year” winners have done this well. Last year’s Random Access Memories by Daft Punk does this. Adele’s 21 – the 2012 winner – does this. Arcade Fire did this in 2011. Taylor Swift did this in 2010. OutKast did this with Speakerboxxx/The Love Below in 2004. Norah Jones did this in 2003.
D’Angelo’s Black Messiah does this, which is one of the bazillion reasons it will win everything in 2015.
Fellow AOTY nominees Beck and Beyoncé and Pharrell do this.
But In the Lonely Hour does not do this. It’s deep and emotional, sure. But that’s kind of it. It never goes anywhere. It’s one long plateau of emotion and it gets old really quick. Drop the needle at any moment on this record and you’re going to hear basically the same thing.
That said, Sam Smith has quite the pipes. His range is incredible. He’s got the range of Whitney Houston and the emotion of Norah Jones. The only gripe I have on his voice is that it sounds like he has a perpetual glottal bubble. I just want him to clear his throat or swallow.
It’s hard to find tracks that are favorites among an album that doesn’t really go anywhere. Most have the same feel to them. I guess I’ll just highlight the ones that are most popular and move along.
These are the top tracks from In the Lonely Hour…
Stay with Me Sam would rather hold hands than have a one night stand, but mostly because he’s the most emotional being on the planet. This is a real heartbreaker…and so are all the others.
Lay Me Down The last song on the album. It’s basically the same song as “Stay with Me” lyrically. More heartbreak. More desire to lay next to someone. Work through your emotions, please. ZzzzZZzzz.
Money on my Mind – This is the first track on the album and probably the high point for me. It’s fun and snappy. Meh sings about doing music for the love of it…he’s not in it for the money. I could say the same thing about youth ministry.
I’m Not the Only One Wah-wahhhh. Sam knows he’s not the only one his lover (who is a dude, by the way) is with. But rather than tell it to his face, he’d rather just let it eat him up inside and sing a song about it.
So where does In the Lonely Hour rank among the other four albums up for the top Grammy? Probably in lower half. Beyoncé and Beck are the top options. Pharrell’s album is very strong but people won’t look past the success and annoyance of “Happy.” Ed Sheeran is fun and poppy, but gets old quick – plus I’m not into the slow stuff at all. It’s all subjective at some point, but Sam Smith probably slides in between Pharrell and Ed. I’d put him last.
Don’t get me wrong – Sam Smith is talented, has a wild voice and puts out good music, which is why it’s up for Album of the Year. Just not my jam.
Looking forward to the Grammy’s on Sunday night. Hope these posts come in handy for at least one person when the big night gets here.
For other reviews up for Album of the Year…